By Joe Straw
My
father died December 3, 2012, found face down in the mansion of his living room
floor, deep in the south. He was alone,
in his home. Five days later in Boyle Heights, I sat quietly waiting for a
musical about home to begin. Words cannot express how much the home theme meant
to me as I sat there, laughing, loving, crying, and missing home and realizing this
night, this theatre, tonight, is the only home I have, and the only home I
know. – Narrator
Most of the shows keep me thinking about the performance weeks after I had
seen them. Funny, as I think back on
them, I remember those memories as being black and white. But, after I saw In The Heights, colors
danced in my head, music filled my dreams, and remembrances of home kept me in
a warm and lofty place.
Teatro Nuevos Horizontes presents In The Heights - Music and Lyrics by
Lin-Manuel Miranda - Book by Qulara Alegría Hudes and directed by Rigo Tejeda is
a marvelous production in the small Casa 0101 Theatre, full of life, hope, love,
ambition and home.
I knew In The Heights was coming but questioned the venue as being too
small for this show. And after I checked
out the bios, I thought this was possibly an overambitious project for this
company. I was wrong. It’s fits perfectly and moves with the Latin
beat from one moment to the next!
Run! Por favor! Run!
The play begins in the warm early morning hours of Washington Heights, the
northern tip of Manhattan, New York City. A hooded lone tagger, Graffiti Peter (Chris
Marcos) indiscriminately sprays paints on a storefront. The trouble is that it is Usnavi’s (Michael
Torrenueva) storefront and Usnavi comes out swinging, protecting his property
and chases him away.
He lifts the graffiti security metal gate on his bodega, a Hispanic grocery
store, and opens for the day. He runs
this bodega with his cousin, Sonny (Phillip Garcia), to an extremely diverse
community.
‘I am Usnavi and you prob'ly never heard my name
Reports of my fame
Are greatly exaggerated
Exacerbated by the fact that my syntax
Is highly complicated cuz I emigrated from the single
greatest little place in the Caribbean
Dominican
Republic
I love
it,…”
Usnavi introduces the community, in the song “In The Heights”. Piragua Guy (Felix Sotelo), Abuela Claudia (Carole
Salerno) and the Rosarios who own a cab company across the street.
Kevin Rosario (Benjamin Perez) stops by every morning to put $20.00 on the
lottery. Then he opens Rosario’s cab company that he runs with his wife Camila
(Graciela Valderrama) and employee Benny (James Oronoz). The Rosarios patiently wait the arrival of
their daughter Nina (Parissa Koo) who is coming home from Stanford University
in California. Benny is infatuated with
Nina.
Daniela (Vivian Lamolli) and Carla (Chrissi Erickson) stroll in, spreading nasty
gossip about their community, and having a great time in the process. They work in the salon but need to move soon
because the rent is going up.
Usnavi’s parents are dead and he is not entirely satisfied living in Washington
Heights selling coffee, condoms, and fuzzy dice. Usnavi dreams of going home to the Dominican
Republic.
The day starts off wrong when, right off the bat, Usnavi finds the
refrigerator is not working and the milk is warm. He implores a grumbling Sonny to fix it
despite the fact that he is not trained, is just a kid, and doesn’t want to be
electrocuted.
Still, warm milk is not good for Usnavi who takes pride in his morning
coffee. Abuela Claudia, there to buy a
lottery ticket, suggests using condensed milk.
Usnavi runs into Benny who says that he’s a climber, he’s “makin’ moves”,
but chides Usnavi with “You still ain’t got no skills”. More importantly, Benny wants to know if he’s
made his move on Vanessa (Melissa Anjose), a gorgeous Latina, before she moves out
of Washington Heights.
The coffee for Vanessa is on the house but Usnavi can’t make himself to ask
her out despite the egging’s on of Benny and Sonny. And Vanessa has no clues as to why she is
getting the coffee for free.
Later, a troubled Nina appears, warmly greeting people on the streets, knowing
that she has important news to give to her mother and father. At her parents’ cab company, Benny wants to
show her what he has learned while she’s been gone. Moments later, when her parents arrive, she
tells her them she has dropped out of Stanford and has not been going to school
for months.
Nina’s parents take it very hard and Kevin Rosario vows to help her because
it is in his nature to fix things for Nina no matter what sacrifices the family
must make.
"I'm proud to be your father
Cuz you worked so much harder
And you are so much smarter
Then I
was at your age." – Kevin
L - R Melissa Anjose, Chrissi Erickson, Parissa Koo, Vivian Lamolli |
Nina escapes to the salon to hear the latest gossip in the song “No Me
Diga” with Vanessa, Carla, and Daniela. When she tells them that she dropped
out of Stanford, they are all shocked.
Later Usnavi finds out that his bodega sold the winning lottery ticket of
$96,000.00 and the whole community celebrates of what they would do if they
won. It is a beautiful number. And Usnavi only dreams of the white sandy
beaches in the Dominican Republic.
Abuela Claudia has the winning ticket and wonders what she will do with the
money. She sings Paciencia y Fe
(Patience and Faith). It is a lovely
number about her life, growing up in Cuba, coming to America and working as a
maid. She asks for guidance with the
winning lottery ticket.
I cannot adequately express my feelings of this rich diverse cast that threw
their hearts and souls into this performance. It certainly was jaw dropping and
eye opening.
Christopher Marcos as Graffiti Pete
gives his all dancing all over the stage with his spray cans. It is an
interesting role in that at night he is this graffiti freak and during the day
“Clark Kent” with baggy pants.
Michael Torrenueva as Usnavi does an incredible
job given all he has to do. And while he
has a very nice voice, needs to work on volume. Still Torrenueva is fantastic
as Usnavi, funny, warm and has a very nice charm. Usnavi is a fabulist that
relays stories of the neighborhood in his own syntax. His charm is that he lacks a certain manly
confidence to get the girl he wants. Holding him back are his dreams of the Dominican
Republic, and the white sandy beaches, only to learn a very valuable lesson in
the end. One can’t help but stand and cheer at the end of the closing number as
he recognizes himself as the rich storyteller of the community. This is his
life. This is who he is. His performance is remarkable.
Felix Sotelo as the Piragua Guy
has a very nice voice and was just wonderful. His character plays an important
role in that he introduces the heat in this community, not only the weather,
but the passion of the people that live there as well. Sotelo sings and dances his way into your
heart.
Carole Salerno played Abuela
Claudia. While she may have been too young for this role, she did an outstanding
job in this show. The character is alone and ailing. Despite her health, she tries her best to
help others because she remembers her own struggles to create a better life in
New York. Salerno’s work shows a
passionate commitment to the craft. She
is very enjoyable in this role.
Chrissi Erickson played Carla the
ditsy hairdresser and did a very fine job. She is wonderful to watch but
sometimes loses sight of the “thing” that makes her that character from the
moment she steps on to the stage to the moment she leaves. The character just doesn’t get it try as she
might. Still, Erickson was very funny.
Vivian Lamolli played Daniela and
has a great stage presence. As the
character, she is sassy and saucy and willing to throw it all out there no
matter what. She takes advantage of every moment on stage and all with a
remarkable accent as well. She is
enjoyable to watch and it is difficult to take your eyes off of her.
Benjamin Perez plays Kevin, Nina’s father,
and has a wonderful stage presence. As
the character, he is a man who only wants the best for his child and is willing
to sacrifice anything to make her life better than his. His song to his daughter is a billet-doux and
his performance was truly marvelous.
Garciela Valderrama plays Camila, Nina’s
mother, she also wants what’s best for her daughter but she doesn’t want to
follow her husband’s decisions blindly.
She objects to the selling of her business she has helped to build. And she wants to be in on the business
decisions that affect the entire family.
After all, this is a “family” business and she is a strong woman. Valderrama
was terrific.
Phillip Garcia plays Sonny. He is quite funny with this tuff of hair sticking
out of his hat. Sonny has a dream. He
knows where he is going. But he is just
a kid and he is still working out the kid thing. The
growth is visible on stage as he interacts with the community. The older he
gets, he finds things starting to click in his life, he understands it, and
grows as a human being. Garcia does a
very nice job and has a very interesting look for film and television.
James Oronoz plays Benny and does
a very nice job. Oronoz is very young,
or appears young, and he handled this role like an old pro. Oronoz has a nice voice and did some very
remarkable work. As the character Benny wants the girl first, and the success
second. He is conflicted now that the
success is not working out and, with his job gone, his girlfriend maybe going
as well. It’s a tough predicament but
one that he eventually overcomes.
Melissa Anjose as Vanessa did some
very nice work. She has a very sexy
dance number and has a respectable voice that needs a little strengthening so
we can hear her. As she parades around
the heights, she knows eyes are following her.
But, she doesn’t want or doesn’t know, or doesn’t care that Usnavi wants
her, or maybe Usnavi is not up to her tasks. She wants to leave Washington Heights and move
to a place where she will be better appreciated. She is unaware she is home and loved. This is an interesting character and a very
interesting performance.
Parissa Koo as Nina has a very
nice voice. It is as pleasant as the
name implies. She is a little girl
growing up in a difficult world and she just hasn’t found her place. Her
conflict is her passion for school, her family and her boyfriend and being able
to handle all three without throwing the world off its axis. Her performance
was wonderful in many ways.
Rigo Tejeda did a fantastic job with
the direction. This is a complicated
show and getting this all together was a remarkable achievement. Still there’s more work to be done if there is
a consideration to moving it to a bigger house. The relationships need to be strengthened and
moments clarified. Abuela’s relationship
with Usnavi and Sonny needs tightening. Other characters need stronger
objectives and those objectives need to be clear the moment they enter. Also,
we were missing the heat, or the idea of heat, which culminates when the power
goes off and people just go nuts - heat mixed with passion. A little symbolism
goes a long way here. Still these are
small quibbles for a tremendous job, well done.
There is a lot of diversity in the cast and it represents a reflection
of a community we hardly see on television and feature films.
Lin-Manuel Miranda’s Music and Lyrics are wonderful and specific to the
characters. The older characters have
more traditional songs while the younger ones have rap and upbeat tempos and
all of the songs at one time or another blend into a carefully crafted mix of all
Latino cultures.
The live In The Heights band include:
Conductor: Brian Michael
Trumpet: Serafin Aguilar
Bass: Bill Von Ravensberg
Drums/Percussions: Michael Partlow
Keyboard: Brian Michael
Nicely produced by Olga Durazo and I'm not really sure how all of this was done. All of this could not have been accomplished without an incredible crew and a wonderful ensemble.
BUSINESS MANAGED BY Carlos Perez
ASSISTANT TO RIGO TEJEDA IS Gilbert Valenzuela
PUBLICISTS ARE Felipe Agredano and Conrado Terraza
STAGE MANAGED BY Angela Cruz
CHOREOGRAPHED BY Daniel Lazareno
ASSOC. CHOREOGRAPHY BY Marissa Herrera
MUSIC COORDINATION BY Lena Marie
COSTUME DESIGN BY Abel Alvarado
LIGHTING DESIGN BY Donny Jackson
HOUSE MANAGED BY Roberto Castillo
PRODUCTION ASSISTANT by Miguel Angel Muñeton
ENSEMBLE/ASSOCIATE CHOREOGRAPHER- Marissa Herrera
ENSEMBLE/VOCAL CAPTAIN- Daniel Ferguson
ENSEMBLE- Andy Eubanks
ENSEMBLE/CO-DANCE CAPTAIN- April Sheets
ENSEMBLE- Brittany Freeth
ENSEMBLE- Shafik Wahhab
ENSEMBLE- Michael Gallardo
ENSEMBLE- Yvonne Senat
ENSEMBLE- Fernando Nunez
ENSEMBLE- Brenda Perez
ASSISTANT TO RIGO TEJEDA IS Gilbert Valenzuela
PUBLICISTS ARE Felipe Agredano and Conrado Terraza
STAGE MANAGED BY Angela Cruz
CHOREOGRAPHED BY Daniel Lazareno
ASSOC. CHOREOGRAPHY BY Marissa Herrera
MUSIC COORDINATION BY Lena Marie
COSTUME DESIGN BY Abel Alvarado
LIGHTING DESIGN BY Donny Jackson
HOUSE MANAGED BY Roberto Castillo
PRODUCTION ASSISTANT by Miguel Angel Muñeton
ENSEMBLE/ASSOCIATE CHOREOGRAPHER- Marissa Herrera
ENSEMBLE/VOCAL CAPTAIN- Daniel Ferguson
ENSEMBLE- Andy Eubanks
ENSEMBLE/CO-DANCE CAPTAIN- April Sheets
ENSEMBLE- Brittany Freeth
ENSEMBLE- Shafik Wahhab
ENSEMBLE- Michael Gallardo
ENSEMBLE- Yvonne Senat
ENSEMBLE- Fernando Nunez
ENSEMBLE- Brenda Perez
Run and take a friend that likes fuzzy dice, beautiful women, and an incredible score!
Through December 22, 2012.
www.intheheights.brownpapertickets.com
Through December 22, 2012.
www.intheheights.brownpapertickets.com
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