Watching Piñata Dreams by Josefina Lopez is like revisiting
movies. There are similarities to The Wizard of Oz with the theme of
getting back home, to Pinocchio where
the piñata boy become real life boy, to slipping
into Neverland in Alice in Wonderland,
to a lesser degree with A Clockwork
Orange, and to the non-scary parts of Nightmare
on Elm Street.
All of this is good as Piñata Dreams is a play for children.
Actually adults of all ages or anyone who enjoys a fantasy will delight in the
undertaking of this production. But is this a fantasy or a dream?
Casa 0101 presents Piñata Dreams by Josefina Lopez directed by Corky
Dominguez and produced by Sherrie Lofton and Anisa Hamdan through December 28,
2014.
Piñata Dreams is a very, very likable play that needs another
30 minutes to appropriate a full-length genre.
But for now, it is very pleasant fare.
Corky Dominguez, the director, does an impressive job creating the fantasy
and the dream. It could benefit from a slight focus but I will get to that
later.
J.J. (Noah Logan Martinez) has a problem and it’s mostly
about school. He has a touch of a
learning disability and not being able to concentrate on his studies. But he has a highly active imagination and
more than anything else wants to make beautiful piñatas for his father’s piñata
shop, which already has an impressive collection dangling from the ceiling. Colorful piñatas, beautiful piñatas, and all are
wonderfully priced to boot.
J.J.’s mother (Evy De La Cruz) has died for reasons not
entirely clear.
Then a party supplies store moves in across the street and
tries to steal the piñata business by having a two-for-one sale. J.J’s father (David Guerra) finds this news
distressing and hopes that will not ruin his business.
And while the little boy loves piñatas, J.J. is more
enamored of the alebrije – sculptures
that are compositions of two or more animals. And try as he might with his
studies, J.J. works in the shop because he finds it more fascinating.
Don Chelo (Jose Garcia) saunters into the shop and throws
more fuel into the fire by announcing that the new piñata shop has Iron Man and
helicopters. Don Chelo falls into that
category: friends you don’t really
need.
But J.J.’s father has other ideas for his only son while his
kindhearted grandmother (Evy DeLa Cruz) watches.
“Do your homework! Artists have
a hard life.” – Father
“But you make people happy.” – J.J.
At night, working by candlelight in his father’s shop, J.J.
falls asleep. When the candle spills, and a fire burns the shop to the ground.
What are the other theatrical expressions that used
masks?
The Japanese had a type of theater called Noh, which
originated in 612 A.D. It is a style of
theatre that takes traditional tales in which supernatural creatures are
transformed into human form. Generally
it is the main character that wears the mask while the supporting characters do
not.
In Piñata Dreams is similar in that the main character wears
a mask. Different from Noh, the supporting
players also wear masks. The only time
we see them is when they step back from their characters and narrate the story.
So J.J. is all too real.
In Commedia dell’arte, literally meaning – comedy of craft, the
actors are in exaggerated masks or heavy character makeup. (The Actors Gang, in Culver City, teaches this
method on their stage in Los Angeles and extends their reach to prisons
throughout the state.) It is a form of theatre where professional actors
perfect a specific role or mask. They
generally used props rather than extensive scenery.
J.J.’s prop is his magnificent piñata stick.
Josefina Lopez’s play is called Piñata Dreams but we never
actually go into the dream in the way Alice does by falling asleep, or for that
matter the way Dorothy does in The Wizard of Oz where the fantasy is created by
a jar on her noggin. Is it possible the
entire play is a dream? And if so, why are we immersed in J.J.’s real life with
supporting characters that wear masks?
This is something different.
Corkey Dominguez,
the wonderful maker of the masks, and director, has provided us with his style,
his own rhythm, encapsulating moments with an actor’s sharp turn to the fourth
wall. This style is very effective and
adds to the dream. The expressions we don’t get from the mask are made up for
with the characters’ creative use of hands, which define the space they occupy
in the dream.
Dominguez presents
the play in a way that the boy hears the blended noises of other characters as
possibly one would hear and view them in a dream but doesn’t see the faces and can’t
make them out. It makes for fascinating
work.
But here is where there is a slight problem.
In the opening and the ending of the play when one really
needs a cold dose of reality, the characters, with the exception of J.J., are
in masks. The audience never gets the
impression that this is a dream or where that dream begins. Real life, or what
we perceive as reality, has faces, rather than masks, and we never get a taste
of the real life from the other characters in the way we were introduced the
characters in The Wizard of Oz.
Everything is a fantasy, a dream, an adventure and a conflict that J.J. –
the only one without the mask – must overcome.
J.J. is a real life boy, with real life problems, making
real piñatas. When we hear him say “But
you make people happy” it is wonderful and heartbreaking and it would have been
best to see the emotion on his father’s face, rather than the mask. But again, is
it all a dream?
Josefina Lopez,
the writer, does some marvelous work providing us with a rich assortment of
Latino characters making their way through life. It is a simple life but one which means so
much to the characters and their community. It is a story of caring, loving, and sharing. And
it is also a story of unspeakable menaces that ride the back of a small
helpless human being. But, the night I saw it, the execution was not that
specific, the elements of the story lacked the physical progression to bring
the boy to an emotional fever pitched homecoming. That aside, there’s something
wonderful here. I saw it on the second week;
some problems may have been ironed out, but maybe not all.
Sherrie Lofton &
Anisa Hamdam terrifically produced this play.
Noah Logan Martinez
plays J.J. He is a cute young man and does well on stage with his brand of
humor. There is a lot more to learn
about acting should he decide to pursue his craft.
Isaiah Cazares
plays a variety of characters the Party supply store promoter, Itzali,
Firefighter, Young Great Grandfather, Scary cave alebrije #1, Huitzilipochli,
Store Customer #3. There is probably
more to be had with the Young Great Grandfather part because it is in
underworld (or a dream). The relationship
to his great grandson requires strengthening and his knowledge of the place
requires awareness.
Evy De La Cruz
plays Grandmother, Piñata #4, and Cave Child. She is a fine actress and does
remarkably well with the Grandmother. And a little more mollycoddling with her
grandson would add to a nice performance.
Jose A. Garcia
plays Don Chelo, Piñata #1, Cave Child, Diablo #1, Big Diablo #2, and Monster
at the window. Garcia gives a terrific
performance as Don Chelo complete with a slight speech impediment due to two
terrific protruding front teeth on the mask.
But I’m wondering if there is more to had with this character that sets
lives in motion simply by his annoying appearance.
Sophie Goldstein
is the Daughter Customer, Piñata #2, Cassie, and Store Customer #1.
David Guerra is
impressive as J.J.’s father; his hand movements and way about the stage are
specific and true to life. This was a
job well done and effectively done. Guerra also played the Grandfather and
Great-Grandfather.
Suzanne Santos
plays the Mother Customer, Piñata #3, Halipi, Scary cave alebrije #2, Man tied
to tree, and Store Customer #2.
Other members of the production team are as follows:
Stage Manager: Alyssa
Champo
Set Designer: Cesar
Holguin
Costume Designer:
Dori Quan
Sound Designer: Vincent
A. Sanchez
Lighting Designer:
Sohail e. Najafi
Light Board Operator: Jorge Villanueva
House Manager:
Suzanne Linares
Production Photographer:
Ed Krieger
Assistant Stage Manager:
Julius Bronola
Pinata Maker: Andrew
Cervantes
Asst. Set Builder: Angel
Perez
Graphic Design: Josefina
Lopez
Social Media: Sylvia
Cortes
Mask Makers: Beth
Peterson & Corky Dominguez
Webmaster: Mark Kraus
Gallery Curator:
Margaret Garcia
Art Image: Crystal De
La Torre
Publicist: Steve
Moyer
Co-Producer: Jennifer
Madrid
This show has closed. But please check with Casa 0101 for future show. The theatre is a delightful venue for Boyle Height and you are always welcomed.
Phone: 323-263-7684
www.casa0101.org
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